James Nicoll Reviews

1960’s Storm Over Warlock begins as Shan Lantee, a low-ranking recruit from an abjectly deprived background, suddenly becomes the senior member of his exploration team on the planet Warlock. Unfortunately this does not come because his worth is suddenly recognized by his superiors. It comes because he’s the only human member of the team who is not in the Terran Survey camp when it and all of its inhabitants are burned to ashes by the hostile alien Throgs.

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1960’s The Sioux Spaceman is another one of Norton’s standalone novels, although fans will recognize elements common to other Norton series. As I contemplated the book before reading, the cover didn’t fill me with enthusiasm, particularly given how badly I was served by Voodoo Planet, but … it turned out that, while this isn’t one of Norton’s more memorable books, it has points of interest.

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With 1960’s Shadow Hawk, Andre Norton steps away from science fiction for historical fiction, abandoning space ships and alien worlds for chariots and an ancient Egypt subjugated by the Hyksos.

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1959’s Secret of the Lost Race is a fascinating little oddity; it has what must be the most bleak passage I’ve encountered in a Norton novel, the first (possible but not confirmed) matriarchy I remember encountering in her fiction (despite not having any on-stage women to speak of, which is an odd combination), and, because the copy I happened to find was the 1969 Ace reprint, a very interesting essay by Lin Carter. 

But first, a word from the fan site Andre Norton Books:

March 17, 2015
Marks ten years since the world has been without Andre Norton.
Andre-Norton-Books.com will be doing a special tribute to
The Grand Dame of Science Fiction and Fantasy
We have a special gift to share with all of Andre’s fans.
Please honor Andre by emailing us with any words of tribute
that you wish to share with Andre and her fans.
Email us at [email protected]

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1959’s Voodoo Planet is the second half of the omnibus referenced in the previous review. I was a bit surprised to discover that this is one of the Solar Queen stories. I thought I had been sent all of the Solar Queen stories for review over the years, but I’d never seen this one. Having read it, I suspect I know why this is the Solar Queen tale Norton fans would just as soon pretend does not exist. I will reveal the secret if you follow me into the dark mysteries of a review I will call (borrowing Hradzka’s memorable title) OH ANDRE NORTON NO.

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I am reviewing 1961’s Star Hunter out of sequence because in the original ad for Andre Norton novels, the one that inspired this series, Star Hunter is listed as part of an omnibus edition also containing Voodoo Planet. That novel was published in 1959. This review and the one that follows constitute a review of the omnibus Star Hunter & Voodoo Planet. In cases like this, the publication date of the earlier work is the one I am going to use [1].

Discussion of one of the more interesting aspects of this book requires a pretty major spoiler, so … SPOILER WARNING!

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The 1982 Ace edition of 1959’s Galactic Derelict is billed as ​“Book #2 in the Ross Murdoch series.” That bit is misleading. While Ross does appear in the book, he’s only a supporting character; its true protagonist is Travis Fox. If Ace had billed this as Time Traders #2, that would have dodged the whole ​‘who is the protagonist?’ issue.

I could give this book another blurb: ​“first Andre Norton SF reviewer James Nicoll ever read.” That was way back in 1972, an earlier edition of the book, another time. It was the best of times, it was the worst of times … sorry, I get flashbacks. 

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1958’s The Time Traders is the first of seven books featuring Ross Murdoch. Four of these (The Time Traders, Galactic Derelict, The Defiant Agents, and Key Out of Time) were written by Norton solo and three (Firehand, Echoes in Time, and Atlantis Endgame) were written in collaboration with other writers.

I could tell you a funny story about the series but … no, I will get to it later on.

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1958’s Star Gate is a standalone novel, but it foreshadows later works by Norton. Here, she tries out new themes: magic and interdimensional gateways. Although this novel’s setting features hi-tech devices like blasters, there is also magic. Starships exist, but the main characters reach their destination via interdimensional gateway. 

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1957’s Star Born returns to the universe of 1954’s The Stars Are Ours! It is not a long book, but Norton manages to get more value out of her limited page count than later authors could do with much longer narratives. 

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