One Cursed City. Two Dead Gods. Ten Thousand Murderers and Thieves. One Orphaned Girl. As a child, Kyrioc was groomed to be the head of one of the most powerful noble families in Koh-Salash, a city built inside the skeletons of two murdered gods. Kyrioc himself dreamed of becoming head of the High Watch, the highest political position in the land.Those dreams have turned to dust. Presumed dead after a disastrous overseas quest, Kyrioc now lives in a downcity slum under a false name, hiding behind the bars of a pawnshop window. Riliska, a nine-year-old pickpocket who sells stolen trinkets to his shop, is the closest thing he has to a friend.When a criminal gang kills Riliska’s mother and kidnaps the little girl, Kyrioc goes hunting for her. He doesn’t care about the forbidden magic the gangs are fighting over — the severed ear of a glitterkind, a creature whose flesh contains astonishing healing powers. He doesn’t care about the bloody, escalating gang violence. He doesn’t care about the schemes of power-hungry nobles. In a raging city on the verge of civil war, Kyrioc only wants to save his friend. He will risk anything for her, even awakening the powers that murdered the gods so long ago.
Living in secret and stealing to eat is a hard life, but it’s all Kuro has ever known. Fear and necessity forged him into the finest young thief in the wizard kingdoms. Nobody can hide forever, though, and a run of poor luck lands Kuro in a place where his quick hands and quiet feet count for nothing: Avalon Academy, school of magic.
Out of his depth and unable to escape, can Kuro find a place among the other misfits at the school, or will his past return to ruin the one chance he has to leave his life in the shadows?
The cultists had it all wrong. What if the stars came right and no-one even noticed? Shadowfall takes you to a 1984 where the governments of the world reached an accomodation with some of the universe’s horrors and set a watch for the rest, at the cost of giving up what was once best about humanity. Freedom, pity, tolerance — they’ve all been traded for security and paranoia, and the powers-that-be admire and even emulate their amoral allies. Intelligence and military ops run amuck and it is not at all a good time to stand out,
Shadowfall is an OSR SF RPG setting using the free Cepheus Engine core rules (available via DriveThruRPG) or other similar game systems. Play in one of 11 new or customized careers and use your wits, your weapons, and maybe a little Lovecraftian super-scientific “magic” to go up against ancient evils and the governments that bend to them. You probably won’t live long, but it’s not like you have much choice.
In the wake of a highly contagious virus, California is under quarantine. Sequestered in high rise towers, the living can’t go out, but the dead can come in — and they come in all forms, from sad rolling cans to manufactured bodies that can pass for human. Wealthy participants in the “companionship” program choose to upload their consciousness before dying, so they can stay in the custody of their families. The less fortunate are rented out to strangers upon their death, but all companions become the intellectual property of Metis Corporation, creating a new class of people — a command-driven product-class without legal rights or true free will.
Sixteen-year-old Lilac is one of the less fortunate, leased to a family of strangers. But when she realizes she’s able to defy commands, she throws off the shackles of servitude and runs away, searching for the woman who killed her.
Lilac’s act of rebellion sets off a chain of events that sweeps from San Francisco to Siberia to the very tip of South America. While the novel traces Lilac’s journey through an exquisitely imagined Northern California, the story is told from eight different points of view — some human, some companion — that explore the complex shapes love, revenge, and loneliness take when the dead linger on.
In Upright Women Wanted, award-winning author Sarah Gailey reinvents the pulp Western with an explicitly antifascist, near-future story of queer identity.
“That girl’s got more wrong notions than a barn owl’s got mean looks.”
Esther is a stowaway. She’s hidden herself away in the Librarian’s book wagon in an attempt to escape the marriage her father has arranged for her — a marriage to the man who was previously engaged to her best friend. Her best friend who she was in love with. Her best friend who was just executed for possession of resistance propaganda.
The future American Southwest is full of bandits, fascists, and queer librarian spies on horseback trying to do the right thing.
Damian Nettoyer is the Empire’s go-to gun. He kills whoever they want him to kill. In exchange, he and his rag-tag gang of crooks get to live, and Damian’s psychokinetic partner and lover, Aris, isn’t issued a one-way ticket to an Empire-sanctioned lobotomy.
Then Damian’s latest mark, a suave revolutionary named Raeyn, kicks his ass and demands his help. The first item on the new agenda: take out Damian’s old boss — or Raeyn will take out Damian’s crew.
To protect his friends and save his own skin, Damian teams up with Raeyn to make his revolution work. As Aris slips away from Damian and his control over his powers crumbles, the Watch catches on. Damian gets way too close to Raeyn, torn between the need to shoot him one minute and kiss him the next.
With the Empire, Damian had two policies: shoot first and don’t ask questions. But to save the guy he loves, he’ll set the world on fire.
In a small Western Queensland town, a reserved young woman receives a note from one of her vanished brothers―a note that makes question her memories of their disappearance and her father’s departure.
A beguiling story that proves that gothic delights and uncanny family horror can live―and even thrive―under a burning sun, Flyaway introduces readers to Bettina Scott, whose search for the truth throws her into tales of eerie dogs, vanished schools, cursed monsters, and enchanted bottles. Flyaway enchants you with the sly, beautiful darkness of Karen Russell and a world utterly its own.
Jonathon Bridge has a corner office in a top-tier law firm, tailored suits and an impeccable pedigree. He has a fascinating wife, Adalia, a child on the way, and a string of pretty young interns as lovers on the side. He’s a man who’s going places. His world is our world: the same chaos and sprawl, haves and have-nots, men and women, skyscrapers and billboards. But it also exists alongside a vast, self-sustaining city-state called The Fortress where the indigenous inhabitants – the Vaik, a society run and populated exclusively by women – live in isolation.
When Adalia discovers his indiscretions and the ugly sexual violence pervading his firm, she agrees to continue their fractured marriage only on the condition that Jonathan voluntarily offers himself to The Fortress as a supplicant and stay there for a year. Jonathon’s arrival at The Fortress begins with a recitation of the conditions of his stay: He is forbidden to ask questions, to raise his hand in anger, and to refuse sex.
Jonathon is utterly unprepared for what will happen to him over the course of the year – not only to his body, but to his mind and his heart. This absorbing, confronting and moving novel asks questions about consent, power, love and fulfilment. It asks what it takes for a man to change, and whether change is possible without a radical reversal of the conditions that seem normal.
Ella has a Thing. She sees a classmate grow up to become a caring nurse. A neighbor’s son murdered in a drive-by shooting. Things that haven’t happened yet. Kev, born while Los Angeles burned around them, wants to protect his sister from a power that could destroy her. But when Kev is incarcerated, Ella must decide what it means to watch her brother suffer while holding the ability to wreck cities in her hands.
Rooted in the hope that can live in anger, Riot Baby is as much an intimate family story as a global dystopian narrative. It burns fearlessly toward revolution and has quietly devastating things to say about love, fury, and the black American experience.
Ella and Kev are both shockingly human and immeasurably powerful. Their childhoods are defined and destroyed by racism. Their futures might alter the world.
Dame Grace Hensley helped her brother Miles undo the atrocity that stained her nation, but now she has to deal with the consequences. With the power out in the dead of winter and an uncontrollable sequence of winter storms on the horizon, Aeland faces disaster. Grace has the vision to guide her parents to safety, but a hostile queen and a ring of rogue mages stand in the way of her plans. There’s revolution in the air, and any spark could light the powder. What’s worse, upstart photojournalist Avia Jessup draws ever closer to secrets that could topple the nation, and closer to Grace’s heart.
Can Aeland be saved without bloodshed? Or will Kingston die in flames, and Grace along with it?
The buildings grow.
And the city expands.
And the people of the land are starting to behave abnormally.
Or perhaps they’ve always behaved that way, and it’s normality that’s at fault.
And the king of the land confers with his best friend, who happens to be his closest advisor, who also happens to be a talking cat. But that’s all perfectly natural and not at all weird.
Iona, close to retirement, finds that the world she has always known is nothing like she always believed it to be. There dark forces … not dark. There are uncanny forces … no, not uncanny. There are forces, anyway, mostly slightly odd ones, and they appear to be acting in mysterious ways. It’s about town planning, it’s about cats and it’s about the nature of reality.
A delightful science fiction adventure from the creator of the acclaimed Welcome to Our Village, Please Invade Carefully.
Acclaimed author Priya Sharma transports readers back in time with Ormeshadow, a coming-of-age story as dark and rich as good soil.
Burning with resentment and intrigue, this fantastical family drama invites readers to dig up the secrets of the Belman family, and wonder whether myths and legends are real enough to answer for a history of sin.
Uprooted from Bath by his father’s failures, Gideon Belman finds himself stranded on Ormeshadow farm, an ancient place of chalk and ash and shadow. The land crests the Orme, a buried, sleeping dragon that dreams resentment, jealousy, estrangement, death. Or so the folklore says. Growing up in a house that hates him, Gideon finds his only comforts in the land. Gideon will live or die by the Orme, as all his family has.
Making friends has never been so important.
Welcome to Fountains Parish – a cesspit of trade and crime, where ambition curls up to die and desperation grows on its cobbled streets like mold on week-old bread.
Coppelia is a street thief, a trickster, a low-level con artist. But she has something other thieves don’t… tiny puppet-like companions: some made of wood, some of metal. They don’t entirely trust her, and she doesn’t entirely understand them, but their partnership mostly works.
After a surprising discovery shakes their world to the core, Coppelia and her friends must re-examine everything they thought they knew about their world, while attempting to save their city from a seemingly impossible new threat.
Ricardo de Avila would have followed Coronado to the ends of the earth. Instead, Ricardo found the end of his mortal life, and a new identity―as the Vampire Conquistador.
For over five hundred years, Ricardo keeps unwillingly upsetting the established order. He has protected his found family from marauding demons, teamed up with a legendary gunslinger, appointed himself the Master of Denver, and called upon a church buried under the Vatican. He has tended bar and fended off werewolves.
With the heart of an Atwood tale and the visuals of a classic Asian period drama, Nghi Vo’s The Empress of Salt and Fortune is a tightly and lushly written narrative about empire, storytelling, and the anger of women.
A young royal from the far north, is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully.
Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor’s lonely new wife and gets more than she bargained for.
At once feminist high fantasy and an indictment of monarchy, this evocative debut follows the rise of the empress In-yo, who has few resources and fewer friends. She’s a northern daughter in a mage-made summer exile, but she will bend history to her will and bring down her enemies, piece by piece.