So it turns out
Helping to redo the theatre flies system from eight am to four pm is having an impact on my productivity1. As in I don’t have any. Back to the old pace on Saturday.
1: And my forearm.
Helping to redo the theatre flies system from eight am to four pm is having an impact on my productivity1. As in I don’t have any. Back to the old pace on Saturday.
1: And my forearm.
Volume one of REDISCOVERY represents a historic first: fourteen selections of the best science fiction of the Silver Age, written by the unsung women authors of yesteryear and introduced by today’s rising stars. Join us and rediscover these lost treasures.
(Not every piece I do for tor fits their needs. Here’s an example.)
Per Theodore Sturgeon, ninety percent of everything is crud (that is, everything published). Most of this crud is of the unmemorable variety, it occupies the brain for a few moments before being forgotten. Some is educationally bad; you might not like the story, but at least understanding why it did not work is illuminating. A very very small fraction is so egregiously wretched that it inspires mockery and disparagement decades after publication, even if out of print. One memorable example: Randall Garrett’s 1958 short story “The The Queen Bee.”
Many of you are mercifully unaware of this story. Let me fix that for you:
some stories are not just worse than you imagine, they are worse than you can imagine
University of Waterloo Associate Professor Sarah Tolmie, author of SF works The Little Animals, The Stone Boatmen, Two Travellers, and NoFood, as well as the poetry collection Trio, and chapbook Sonnet in a Blue Dress and Other Poems, is my designated representative.
Tolmie’s “Ursula Le Guin in the Underworld” won a 2019 Rhysling Award, and has been nominated for an Aurora. The Art of Dying was shortlisted for the 2019 Griffin Poetry Prize.
From New York Times bestselling author Joe Abercrombie comes the first book in a new blockbuster fantasy trilogy where the age of the machine dawns, but the age of magic refuses to die.
The chimneys of industry rise over Adua and the world seethes with new opportunities. But old scores run deep as ever.
On the blood-soaked borders of Angland, Leo dan Brock struggles to win fame on the battlefield, and defeat the marauding armies of Stour Nightfall. He hopes for help from the crown. But King Jezal’s son, the feckless Prince Orso, is a man who specializes in disappointments.
Savine dan Glokta — socialite, investor, and daughter of the most feared man in the Union — plans to claw her way to the top of the slag-heap of society by any means necessary. But the slums boil over with a rage that all the money in the world cannot control.
The age of the machine dawns, but the age of magic refuses to die. With the help of the mad hillwoman Isern-i-Phail, Rikke struggles to control the blessing, or the curse, of the Long Eye. Glimpsing the future is one thing, but with the guiding hand of the First of the Magi still pulling the strings, changing it will be quite another…
For generations, the Hundred Isles have built their ships from the bones of ancient dragons to fight an endless war.
The dragons disappeared, but the battles for supremacy persisted.
Now the first dragon in centuries has been spotted in far-off waters, and both sides see a chance to shift the balance of power in their favour. Because whoever catches it will win not only glory, but the war.