James Nicoll Reviews

Anya Ow’s 2022 Ion Curtain is a space opera. 

The setting is centuries in the future, but the conflicts facing humanity are depressingly familiar. 

• One side: the Chinese-dominated UN, a large, diverse polity whose common feature might be described as ​“chaos.”
• The other side: the Russian-dominated Federation, which provides its citizens with carefully curated news, firm guidance, and a plethora of political functionaries. True power is doled out behind the scenes in ruthless, endless competition between the Federation’s various factions. 

War would serve nobody; however, endless rumours of war ensure that military contractors can thrive. Military funding runs in ratchetting cycles: one side improves its standing and the other side reacts. 

As the Federation is about to discover, some creations are inherently destabilizing.

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Anya Ow’s 2020 Cradle and Grave is a stand-alone post-apocalyptic dungeon-crawl adventure. 

Even after an apocalypse, people still need to work. Dar Lien needs to work. She’s a scout, an experienced guide to the wastelands. Wastelands into which no sensible person would venture, had they a choice.

Servetu and Yusef (a halfer, his man’s torso grafted onto a horse’s body) want a guide to take them into and out of the Scab. Dar Lien hesitates. She’d be willing to do this with folks she knows and trusts, but not with two complete strangers. What tips the scale is the fact she is terminally ill. Her would-be employers are offering her fifteen thousand taels, which would pay for a treatment that could save her life. 

Desperation trumps caution.

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