James Nicoll Reviews

P. Djèlí Clark 2021’s A Master of Djinn is a fantasy/police procedural set in the same world as his earlier A Dead Djinn in Cairo and The Haunting of Tram Car 015.

Grief-stricken over the death of his wife, Lord Alistair Worthington founded the Hermetic Brotherhood of Al-Jahiz. He hopes that the society can re-discover the occult secrets with which the famed Al-Jahiz restored magic to the world. As founder, he is the Grand Master — of course. Some of his followers are as sincere as he is. Others merely crave proximity to the man’s wealth and influence. 

Motives don’t matter in the end, because everyone present at what turns out to be their final meeting is brutally murdered, burned to death by a fire that consumes flesh but not clothing.

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P. Djèlí Clark’s A Dead Djinn in Cairo is an alternate-history fantasy novella. It shares its setting with The Haunting of Tram Car 015.

Forty years ago, al-Jahiz opened the world to magic. Bad news for the Ottomans, the British, and the French, whose domination of Egypt came to an abrupt halt. Good news for Egypt, independent once more. But magic and magical beings bring problems of their own. Fatma el-Sha’arawi, special investigator with the Egyptian Ministry of Alchemy, Enchantments, and Supernatural Entities, spends her days dealing with them. 

For example, the matter of the dead and bloodless djinn. 

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P. Djèlí Clark’s 2019 novella, The Haunting of Tram Car 015, is a supernatural police procedural. It shares its setting with A Dead Djinn in Cairo.

Agent Hamed Nasr of Egypt’s Ministry of Alchemy, Enchantments, and Supernatural Entities has learned many odd things over the course of his career, but he’s never learned to lay ghosts. Nevertheless, Nasr and new partner Onsi Youssef are summoned to Ramses Station to deal with what’s said to be a haunted tram car. Could this finally be a true haunting? 

No. Whatever the entity is, it is not a ghost. It is, however, real. It is definitely hostile. 

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P. Djeli Clark’s 2018 The Black God’s Drums is a steampunk fantasy novella.

Orphaned at ten, Jacqueline renamed herself ​“Creeper” and embraced life on the streets of the free city of New Orleans. An independent city state since the British, French, and Haitian airships forced peace on the Union and Confederacy, the city is neutral ground where all nationalities can mix … and conspire against each other.

Little noted by adults, thirteen-year-old Creeper believes what she has overheard will earn her a place on Ann-Marie St. Augustine’s airship Midnight Robber.

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