In the world of Canadian literature, Margaret Atwood is revered as a major figure, a giant who towers above such lesser authors as Alice Munro, Michael Ondaatje, Anne-Marie MacDonald, and Margaret Laurence — who even stands far above such revered past masters of Canadian authorship as Alistair MacLeod and Robertson Davies . Well, if the world of Canadian literature is defined as me.
Alas, despite the fact that at least three of her books—The Handmaid’s Tale, Oryx and Crake, and The Year of the Flood—are indisputably science fiction, her relationship with the science fiction community is somewhat, shall we say, fraught. In large part this is because she denies that her books are science fiction at all. The uninformed perception is that she is hostile to science fiction, which feeds into the whole perception that litfic types disdain and mock science fiction. I believe that this canard goes back to that time Ernest Hemingway gave Robert Heinlein a thumping and then took his lunch money .
This is unfair and untrue. Proof of that assertion exists in the form of Atwood’s 2011 collection of essays and other work, In Other Worlds: SF and the Human Imagination. Her text isn’t intended as a general work on science fiction as a whole, but rather as an exploration of Atwood’s personal relationship to science fiction.