James Nicoll Reviews

Arthur C. Clarke’s 1956 The City and the Stars is a standalone SF novel. A famous SF novel. 

A billion years in the future, Earth is a lifeless, arid desert world. The galaxy-spanning civilization of the ancients is gone, the victim, or so myth has it, of nigh-unstoppable Invaders. The last remnant of humanity lives in the city of Diaspar. The inhabitants are effectively immortal, being reincarnated over and over again from Central Computer records. 

Once reborn, they take up their old roles. That is, everyone but young Alvin, one of the rare unique persons intermittently created to ensure that Diaspar does not completely stagnate. Alvin is going to succeed in this purpose and then some. 

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1958’s The Other Side of the Sky¹ is a collection by Arthur C. Clarke. The Signet MMPB is only 160 pages long, but there are two dozen stories in this book. Most are rather short. 

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Thisreview was inspired by the news that the Syfy network, perhaps bestknown for renaming itself after the Polish term for syphilis, hadacquired the rights to Arthur C. Clarke’s Childhood’sEnd .The jury is still out whether the Syfy version will be a full scaleabomination, like their adaptation of Earthsea,or merely wretched, like most of the rest of their product. Until thefull extent of the horror of this adaptation is revealed, I thoughtit would be fun to look at — sorry, listen to — a previous adaptationby a considerably more reputable organization with a long history ofpresenting SF works. I speak, of course, of the two-hour audioadaptation BBC 4 aired back in 1997.

Assoon as the radio play opens, it is clear that events have developednot necessarily to Earth’s advantage. The frame: a distressed JanRodericks reports to an entity named Karellen, narrating the ongoingdestruction of the Earth.

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1976’s Imperial Earth was published the year of the United State’s bicentennial. This wasn’t one of the USA’s better periods; oil shocks, stagflation, and political scandal had marred the first half of the decade. Other SF authors might have decided to revel in the doom and gloom of the era — and they did—but Clarke instead chose to take the reader on a tour of what is likely as close to a utopian US as any SF writer has ever imagined.

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