James Nicoll Reviews

Clifford D. Simak’s 1963 Hugo-winning novel Way Station in many ways exemplifies the strengths for which Simak was known, as well as some of his characteristic weaknesses. Way Station is also an example of something that is quite rare amongst Hugo-winning novels: it is very much out of print, along with most of Simak’s oeuvre, a development that has left it undeservedly obscure. I may not be able to place the book in your hands but at I least I can remind people it exists.

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1957’s Sea Siege begins as though Norton might be trying to emulate Willard Price’s Adventure novels. A little later, I was reminded of John Wyndham. It might be that Norton was looking at what was selling in the 1950s and shaping her books accordingly. 

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Charlotte Perkins Gilman’s 1915’s feminist utopia Herland is the middle volume of a trilogy, being preceded by Moving the Mountain and followed by With Her in Ourland. I had not previously read this book and didn’t know what to expect. Well, given the time when it was written, I did expect some form of genteel racism, perhaps coupled with eugenics, and I wasn’t wrong. But there’s more here than that.

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Antal Szerb was a major figure in the Hungarian literature of the first half of the 20^th century, and his 1942 novel Oliver VII is a perfect confection of a comedy. It seems a great shame, therefore, that the novel was not translated into English until 2007 — although Len Rix’s translation is a fine one — and an even greater shame that the forty-three-year-old Szerb, who refused to be run out of his homeland by jumped-up thugs, was beaten to death by a fascist in 1945.

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2012’s After the Fires Went Out: Coyote (Book One), Regan Wolfrom, is one of those rare Canadian post-apocalyptic novels, to be shelved with such works as The Last Canadian¹ and Fractured: Tales of the Canadian Post-Apocalypse. The comet came, the effort to divert it failed, a lot of people died, and now that the dust has settled, visionaries like Ryan Stems have a grand ambition: to give the people of the Mushkegowuk Nation a place safe from the marauders and biker gangs that have overrun much of what was once Northern Ontario. 

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2002’s Stay picks up some months after events at the end of The Blue Place. Still haunted by the memories of her dead lover Julia, Aud Torvingen has no interest in helping her friend Dornan track down his missing fiancée. Somehow, finding out what happened to Tammy Foster is exactly what Aud finds herself doing.

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1967’s The Butterfly Kid, first volume in the Greenwich Village Trilogy, is perhaps the finest science fiction thriller in which a ragtag group of hippies and hipsters (based on real people) save the world from blue meanies. While that’s not a huge field, it’s one with surprising stiff competition.

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For many fans of Robert A. Heinlein, 1982’s Friday was the book in which Heinlein recovered, at least to a degree, from the literary nadir of Number of the Beast¹. For me it will always be the one with the Michael Whelan cover where the toggles on the zippers of the protagonist’s jumpsuit are little penises. 

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1956’s Plague Ship returns to the adventures of the Free Trader Solar Queen in a little tale that illustrates the fundamental rule of the Solar Queen stories: Then Things Got Worse.

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1998’s The Death of the Necromancer was Martha Well’s third novel, following 1993’s The Element of Fire and 1995’s City of Bones. Like The Element of Fire, Necromancer is set in the city of Ile-Rien, a city that seems to be a bit like a gaslight era Paris, but which has the extra fun element of magic. 

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